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Kagomebou / 華護眼坊

Kagomebou / 華護眼坊
¥ 330,000
title:Kagomebou / 華護眼坊
artist:Riyoo Kim / 金 理有
year:2014
media:ceramic / 陶器
size:H23cm W40cm D38cm

日本人の父と韓国人の母のもと、1980年に大阪府に生まれ、2006 年に大阪芸術大学大学院芸術制作研究科修士課程修了した金理有(きむ りゆ)は、現代日本を代表する若手陶芸家の一人です。表面を埋め尽くす幾何学模様の溝や、メタリックに光る黒や燻銀色の釉、そして眼光鋭い「ひとつ目」。これまでの陶器にはない金のこうした独自の作風は陶芸界にとどまらず、「ヨコハマトリエンナーレ 2011」や自らがキュレーションを担当した「ARTs of JOMON」(hpgrp NY)等、数多くの個展やグループ展に出品し、現代美術界からも高い評価を得てきました。

大学時代から長く陶芸を学んできた金は、縄文土器が持つ生命力に強く惹かれると同時に、ヒップホップをはじめ、グラフィティ、タトゥー、ラップやヒューマンビートボックス、DJ、SF映画など、同時代のストリートカルチャーにも大きく影響を受けたと言います。特に、毎日のように通ったクラブでの光景は「日常生活の抑圧を洗い流す祭祀空間で、パフォーマーは特殊な技芸を披露する巫女のよう」に見えていたようです。土器そのものが生命体であるかのような古代的な土着性や、陶器とは思えぬメタリックで工業的な近未来性が一つの作品内に融合されている様は、こうした金の実体験から生まれ、強い説得力をもって観る者に迫ります。

Born under a Japanese father and a Korean mother in Osaka in 1980, he completed his MA at Osaka University of Arts Graduate School in Fine Art, and now is one of the young leading ceramic artists representing Japan. The geometric-pattern ditches filling all over the surfaces, the glossy shining metallic black and oxidized silver glaze, and the piecing sharp “one-eye.” Kim’s unique approaches beyond existing ceramics have been highly esteemed from not only people among the ceramics field but also from the contemporary art field, through his numerous solo exhibitions as well as group exhibition appearances, including the “Yokohama Triennale 2011” and “ARTs of JOMON” (hrgrp NY) which he curated himself.

Kim who studied ceramics for some long period back from his years in university, says he was strongly attracted by the vital spirit of Jomon earthenware, and also heavily influenced by the street culture of his age including hip-hop, graffiti, tattoos, rappers, human beat boxers, DJs, SF movies and others. He especially recalls nightclub scenes he’d go every night were as “a worship space where I could wash away my daily-life oppression, and performers were alike mikos (oracles) unveiling their special artistry.” His earthenware almost like living creatures with its unique ancient indignity, together with its industrial and neo-futuristic metallic impressions all combined together into one piece of art, arise from such true experiences of the artist and approaches the viewers with strong persuasiveness.


for more information :
http://snowcontemporary.com/artist/kim_riyoo.html

Please do not proceed with the payment if you live outside Japan.
Please let us know the address to be shipped and contact "snow@officekubota.com" for the estimate of the shipment fee.
title:Kagomebou / 華護眼坊
artist:Riyoo Kim / 金 理有
year:2014
media:ceramic / 陶器
size:H23cm W40cm D38cm

日本人の父と韓国人の母のもと、1980年に大阪府に生まれ、2006 年に大阪芸術大学大学院芸術制作研究科修士課程修了した金理有(きむ りゆ)は、現代日本を代表する若手陶芸家の一人です。表面を埋め尽くす幾何学模様の溝や、メタリックに光る黒や燻銀色の釉、そして眼光鋭い「ひとつ目」。これまでの陶器にはない金のこうした独自の作風は陶芸界にとどまらず、「ヨコハマトリエンナーレ 2011」や自らがキュレーションを担当した「ARTs of JOMON」(hpgrp NY)等、数多くの個展やグループ展に出品し、現代美術界からも高い評価を得てきました。

大学時代から長く陶芸を学んできた金は、縄文土器が持つ生命力に強く惹かれると同時に、ヒップホップをはじめ、グラフィティ、タトゥー、ラップやヒューマンビートボックス、DJ、SF映画など、同時代のストリートカルチャーにも大きく影響を受けたと言います。特に、毎日のように通ったクラブでの光景は「日常生活の抑圧を洗い流す祭祀空間で、パフォーマーは特殊な技芸を披露する巫女のよう」に見えていたようです。土器そのものが生命体であるかのような古代的な土着性や、陶器とは思えぬメタリックで工業的な近未来性が一つの作品内に融合されている様は、こうした金の実体験から生まれ、強い説得力をもって観る者に迫ります。

Born under a Japanese father and a Korean mother in Osaka in 1980, he completed his MA at Osaka University of Arts Graduate School in Fine Art, and now is one of the young leading ceramic artists representing Japan. The geometric-pattern ditches filling all over the surfaces, the glossy shining metallic black and oxidized silver glaze, and the piecing sharp “one-eye.” Kim’s unique approaches beyond existing ceramics have been highly esteemed from not only people among the ceramics field but also from the contemporary art field, through his numerous solo exhibitions as well as group exhibition appearances, including the “Yokohama Triennale 2011” and “ARTs of JOMON” (hrgrp NY) which he curated himself.

Kim who studied ceramics for some long period back from his years in university, says he was strongly attracted by the vital spirit of Jomon earthenware, and also heavily influenced by the street culture of his age including hip-hop, graffiti, tattoos, rappers, human beat boxers, DJs, SF movies and others. He especially recalls nightclub scenes he’d go every night were as “a worship space where I could wash away my daily-life oppression, and performers were alike mikos (oracles) unveiling their special artistry.” His earthenware almost like living creatures with its unique ancient indignity, together with its industrial and neo-futuristic metallic impressions all combined together into one piece of art, arise from such true experiences of the artist and approaches the viewers with strong persuasiveness.


for more information :
http://snowcontemporary.com/artist/kim_riyoo.html

Please do not proceed with the payment if you live outside Japan.
Please let us know the address to be shipped and contact "snow@officekubota.com" for the estimate of the shipment fee.

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  • 佐川急便

    Shipping Fees are the same all over country inside Japan 7,000JPY
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    Shipping Fees are the same in all countries outside Japan ¥ 90,000
title:Kagomebou / 華護眼坊
artist:Riyoo Kim / 金 理有
year:2014
media:ceramic / 陶器
size:H23cm W40cm D38cm

日本人の父と韓国人の母のもと、1980年に大阪府に生まれ、2006 年に大阪芸術大学大学院芸術制作研究科修士課程修了した金理有(きむ りゆ)は、現代日本を代表する若手陶芸家の一人です。表面を埋め尽くす幾何学模様の溝や、メタリックに光る黒や燻銀色の釉、そして眼光鋭い「ひとつ目」。これまでの陶器にはない金のこうした独自の作風は陶芸界にとどまらず、「ヨコハマトリエンナーレ 2011」や自らがキュレーションを担当した「ARTs of JOMON」(hpgrp NY)等、数多くの個展やグループ展に出品し、現代美術界からも高い評価を得てきました。

大学時代から長く陶芸を学んできた金は、縄文土器が持つ生命力に強く惹かれると同時に、ヒップホップをはじめ、グラフィティ、タトゥー、ラップやヒューマンビートボックス、DJ、SF映画など、同時代のストリートカルチャーにも大きく影響を受けたと言います。特に、毎日のように通ったクラブでの光景は「日常生活の抑圧を洗い流す祭祀空間で、パフォーマーは特殊な技芸を披露する巫女のよう」に見えていたようです。土器そのものが生命体であるかのような古代的な土着性や、陶器とは思えぬメタリックで工業的な近未来性が一つの作品内に融合されている様は、こうした金の実体験から生まれ、強い説得力をもって観る者に迫ります。

Born under a Japanese father and a Korean mother in Osaka in 1980, he completed his MA at Osaka University of Arts Graduate School in Fine Art, and now is one of the young leading ceramic artists representing Japan. The geometric-pattern ditches filling all over the surfaces, the glossy shining metallic black and oxidized silver glaze, and the piecing sharp “one-eye.” Kim’s unique approaches beyond existing ceramics have been highly esteemed from not only people among the ceramics field but also from the contemporary art field, through his numerous solo exhibitions as well as group exhibition appearances, including the “Yokohama Triennale 2011” and “ARTs of JOMON” (hrgrp NY) which he curated himself.

Kim who studied ceramics for some long period back from his years in university, says he was strongly attracted by the vital spirit of Jomon earthenware, and also heavily influenced by the street culture of his age including hip-hop, graffiti, tattoos, rappers, human beat boxers, DJs, SF movies and others. He especially recalls nightclub scenes he’d go every night were as “a worship space where I could wash away my daily-life oppression, and performers were alike mikos (oracles) unveiling their special artistry.” His earthenware almost like living creatures with its unique ancient indignity, together with its industrial and neo-futuristic metallic impressions all combined together into one piece of art, arise from such true experiences of the artist and approaches the viewers with strong persuasiveness.


for more information :
http://snowcontemporary.com/artist/kim_riyoo.html

Please do not proceed with the payment if you live outside Japan.
Please let us know the address to be shipped and contact "snow@officekubota.com" for the estimate of the shipment fee.
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