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evidens.otf character chart / エビデンス.otf 文字一覧

evidens.otf character chart / エビデンス.otf 文字一覧
¥ 33,000
竹内公太が2019-20年に福島県の立入制限区域で警備員をしていた時期に、現地で撮影した光跡写真を元に制作したオリジナルフォント一覧のプリント作品。

title:evidens.otf character chart / エビデンス.otf 文字一覧
artist:Kota Takeuchi / 竹内公太
year:2020
media:silver halide photography, open edition, w/o frame
    銀塩写真(額装なし)、オープンエディション
size:29.7×42 cm



1982年生まれの竹内は、2008年東京藝術大学美術学部先端芸術表現科を卒業し、現在は福島県を拠点に活動しています。
竹内はこれまでに、ふくいちライブカメラのモニターに突如現れた指差し作業員の代理人として、災害を見る側の意識と匿名表現者の自意識を浮き彫りにした個展「公然の秘密」(2012) や、手(=携帯機器)で情報を取得する現代人の風景をとらえた「手の目」(2014)、福島県いわき市内の石碑巡りをトレースすることでメディアの性質と人の記憶の有り様を示した個展「写真は石碑を石にする、それでも人は」(2017)、第二次世界大戦時の1944年から翌年にかけて日本軍によって投下された風船爆弾の歴史を題材とした映像作品「盲目の爆弾、コウモリの方法」(2019)などを通じ、自らの身体性をもって事物をトレースし、絵画や映像、写真、彫刻など、多様なメディアを用いたインスタレーション展示を展開してきました。緻密なリサーチとフィールドワークをベースに構築したコンセプトを作品化し、それらを通じて現代社会における情報の在り方や意識をはじめとした多様な問題を批評的に提示してきました。

本展「Body is not Antibody」では、竹内公太が2019-20年に福島県の立入制限区域で警備員をしていた時期に、現地で撮影した光跡写真を元に制作したオリジナルフォントと関連作品を発表します。
竹内は、誘導灯を振る日々の労働者の動きに倣い、灯りの軌跡を光跡写真として記録してオリジナルフォントとして転用することを試みました。タイトルである「Body is not Antibody」は、「身体(body)は抗体(Antibody)ではない」といった意味を持ちます。福島県の立入制限区域で警備員として、自らの身体を国家のおこなう復興事業に提供した体験から生まれた本作品は、個人にとっての身体の意味や所在について問いかけます。


Takeuchi was born in 1982, and received B.F.A. at Tokyo University of the Arts, Department of Fine Arts, Intermedia Art in 2008. He currently resides in Fukushima Prefecture, Japan.

In his previous activities, Takeuchi highlighted consciousness of viewers of the disaster as well as self-consciousness of anonymous performers by suddenly appearing in front of the Fukushima Dai-ichi nuclear plant live monitoring camera as an agent of a Finger Pointing Worker in his solo exhibition "Open Secret" (2012), and captured our landscapes in which we acquire information from our hand (=mobile phone) in "Eyes on Hand" (2014). Furthermore, he disclosed the nature of media and the state of human memory through tracing the path of the stone monument tour in Iwaki, Fukushima, in his solo exhibition “Photographs turn stone monuments into mere stone, but even so people take them” (2017), and featured the history of balloon bombs dropped by the Japanese army during 1944-1945 during World War II in his video work Blind Bombing, Filmed by Bat (2019). Throughout his practice, Takeuchi has traced objects and events utilizing motions of his own body, and presented them as installations using various media including paintings, video, photography, and sculptures. He has transformed his concepts into artworks through detailed research and fieldwork to critically discuss the diverse issues such as the ways of information and our consciousness in contemporary society.

This exhibition “Body is not Antibody” will showcase Takeuchi’s original font and associated works created through photographs of light trails taken by the artist while he worked as a security guard in the exclusion zone in Fukushima during 2019-2020.
Takeuchi captured the light trails created by the motions of imitating the workers swaying the guidance light into a photograph and attempted to convert them into an original font. The title of this exhibition “Body is not Antibody” was inspired by the artist’s experience of devoting his own body to the nation’s reconstruction project, and questions the meaning of a body and where the body belongs on a personal level.



for more information :
http://snowcontemporary.com/artist/takeuchi_kota.html

Please do not proceed with the payment if you live outside of the EMS transportable area (https://www.post.japanpost.jp/int/ems/country/all_en.html).
Please let us know the address to be shipped and contact "snow@officekubota.com" first for the estimate of the shipment fee.

Import duties and taxes may be applied upon customs clearance into your country.
In such cases, the recipient of the item will be responsible for those fees. Please pay these costs directly to the delivery agents or the customs office upon delivery. Additionally, taxes and duties differ by country.
Please contact the customs office in your country for details.
竹内公太が2019-20年に福島県の立入制限区域で警備員をしていた時期に、現地で撮影した光跡写真を元に制作したオリジナルフォント一覧のプリント作品。

title:evidens.otf character chart / エビデンス.otf 文字一覧
artist:Kota Takeuchi / 竹内公太
year:2020
media:silver halide photography, open edition, w/o frame
    銀塩写真(額装なし)、オープンエディション
size:29.7×42 cm



1982年生まれの竹内は、2008年東京藝術大学美術学部先端芸術表現科を卒業し、現在は福島県を拠点に活動しています。
竹内はこれまでに、ふくいちライブカメラのモニターに突如現れた指差し作業員の代理人として、災害を見る側の意識と匿名表現者の自意識を浮き彫りにした個展「公然の秘密」(2012) や、手(=携帯機器)で情報を取得する現代人の風景をとらえた「手の目」(2014)、福島県いわき市内の石碑巡りをトレースすることでメディアの性質と人の記憶の有り様を示した個展「写真は石碑を石にする、それでも人は」(2017)、第二次世界大戦時の1944年から翌年にかけて日本軍によって投下された風船爆弾の歴史を題材とした映像作品「盲目の爆弾、コウモリの方法」(2019)などを通じ、自らの身体性をもって事物をトレースし、絵画や映像、写真、彫刻など、多様なメディアを用いたインスタレーション展示を展開してきました。緻密なリサーチとフィールドワークをベースに構築したコンセプトを作品化し、それらを通じて現代社会における情報の在り方や意識をはじめとした多様な問題を批評的に提示してきました。

本展「Body is not Antibody」では、竹内公太が2019-20年に福島県の立入制限区域で警備員をしていた時期に、現地で撮影した光跡写真を元に制作したオリジナルフォントと関連作品を発表します。
竹内は、誘導灯を振る日々の労働者の動きに倣い、灯りの軌跡を光跡写真として記録してオリジナルフォントとして転用することを試みました。タイトルである「Body is not Antibody」は、「身体(body)は抗体(Antibody)ではない」といった意味を持ちます。福島県の立入制限区域で警備員として、自らの身体を国家のおこなう復興事業に提供した体験から生まれた本作品は、個人にとっての身体の意味や所在について問いかけます。


Takeuchi was born in 1982, and received B.F.A. at Tokyo University of the Arts, Department of Fine Arts, Intermedia Art in 2008. He currently resides in Fukushima Prefecture, Japan.

In his previous activities, Takeuchi highlighted consciousness of viewers of the disaster as well as self-consciousness of anonymous performers by suddenly appearing in front of the Fukushima Dai-ichi nuclear plant live monitoring camera as an agent of a Finger Pointing Worker in his solo exhibition "Open Secret" (2012), and captured our landscapes in which we acquire information from our hand (=mobile phone) in "Eyes on Hand" (2014). Furthermore, he disclosed the nature of media and the state of human memory through tracing the path of the stone monument tour in Iwaki, Fukushima, in his solo exhibition “Photographs turn stone monuments into mere stone, but even so people take them” (2017), and featured the history of balloon bombs dropped by the Japanese army during 1944-1945 during World War II in his video work Blind Bombing, Filmed by Bat (2019). Throughout his practice, Takeuchi has traced objects and events utilizing motions of his own body, and presented them as installations using various media including paintings, video, photography, and sculptures. He has transformed his concepts into artworks through detailed research and fieldwork to critically discuss the diverse issues such as the ways of information and our consciousness in contemporary society.

This exhibition “Body is not Antibody” will showcase Takeuchi’s original font and associated works created through photographs of light trails taken by the artist while he worked as a security guard in the exclusion zone in Fukushima during 2019-2020.
Takeuchi captured the light trails created by the motions of imitating the workers swaying the guidance light into a photograph and attempted to convert them into an original font. The title of this exhibition “Body is not Antibody” was inspired by the artist’s experience of devoting his own body to the nation’s reconstruction project, and questions the meaning of a body and where the body belongs on a personal level.



for more information :
http://snowcontemporary.com/artist/takeuchi_kota.html

Please do not proceed with the payment if you live outside of the EMS transportable area (https://www.post.japanpost.jp/int/ems/country/all_en.html).
Please let us know the address to be shipped and contact "snow@officekubota.com" first for the estimate of the shipment fee.

Import duties and taxes may be applied upon customs clearance into your country.
In such cases, the recipient of the item will be responsible for those fees. Please pay these costs directly to the delivery agents or the customs office upon delivery. Additionally, taxes and duties differ by country.
Please contact the customs office in your country for details.

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竹内公太が2019-20年に福島県の立入制限区域で警備員をしていた時期に、現地で撮影した光跡写真を元に制作したオリジナルフォント一覧のプリント作品。

title:evidens.otf character chart / エビデンス.otf 文字一覧
artist:Kota Takeuchi / 竹内公太
year:2020
media:silver halide photography, open edition, w/o frame
    銀塩写真(額装なし)、オープンエディション
size:29.7×42 cm



1982年生まれの竹内は、2008年東京藝術大学美術学部先端芸術表現科を卒業し、現在は福島県を拠点に活動しています。
竹内はこれまでに、ふくいちライブカメラのモニターに突如現れた指差し作業員の代理人として、災害を見る側の意識と匿名表現者の自意識を浮き彫りにした個展「公然の秘密」(2012) や、手(=携帯機器)で情報を取得する現代人の風景をとらえた「手の目」(2014)、福島県いわき市内の石碑巡りをトレースすることでメディアの性質と人の記憶の有り様を示した個展「写真は石碑を石にする、それでも人は」(2017)、第二次世界大戦時の1944年から翌年にかけて日本軍によって投下された風船爆弾の歴史を題材とした映像作品「盲目の爆弾、コウモリの方法」(2019)などを通じ、自らの身体性をもって事物をトレースし、絵画や映像、写真、彫刻など、多様なメディアを用いたインスタレーション展示を展開してきました。緻密なリサーチとフィールドワークをベースに構築したコンセプトを作品化し、それらを通じて現代社会における情報の在り方や意識をはじめとした多様な問題を批評的に提示してきました。

本展「Body is not Antibody」では、竹内公太が2019-20年に福島県の立入制限区域で警備員をしていた時期に、現地で撮影した光跡写真を元に制作したオリジナルフォントと関連作品を発表します。
竹内は、誘導灯を振る日々の労働者の動きに倣い、灯りの軌跡を光跡写真として記録してオリジナルフォントとして転用することを試みました。タイトルである「Body is not Antibody」は、「身体(body)は抗体(Antibody)ではない」といった意味を持ちます。福島県の立入制限区域で警備員として、自らの身体を国家のおこなう復興事業に提供した体験から生まれた本作品は、個人にとっての身体の意味や所在について問いかけます。


Takeuchi was born in 1982, and received B.F.A. at Tokyo University of the Arts, Department of Fine Arts, Intermedia Art in 2008. He currently resides in Fukushima Prefecture, Japan.

In his previous activities, Takeuchi highlighted consciousness of viewers of the disaster as well as self-consciousness of anonymous performers by suddenly appearing in front of the Fukushima Dai-ichi nuclear plant live monitoring camera as an agent of a Finger Pointing Worker in his solo exhibition "Open Secret" (2012), and captured our landscapes in which we acquire information from our hand (=mobile phone) in "Eyes on Hand" (2014). Furthermore, he disclosed the nature of media and the state of human memory through tracing the path of the stone monument tour in Iwaki, Fukushima, in his solo exhibition “Photographs turn stone monuments into mere stone, but even so people take them” (2017), and featured the history of balloon bombs dropped by the Japanese army during 1944-1945 during World War II in his video work Blind Bombing, Filmed by Bat (2019). Throughout his practice, Takeuchi has traced objects and events utilizing motions of his own body, and presented them as installations using various media including paintings, video, photography, and sculptures. He has transformed his concepts into artworks through detailed research and fieldwork to critically discuss the diverse issues such as the ways of information and our consciousness in contemporary society.

This exhibition “Body is not Antibody” will showcase Takeuchi’s original font and associated works created through photographs of light trails taken by the artist while he worked as a security guard in the exclusion zone in Fukushima during 2019-2020.
Takeuchi captured the light trails created by the motions of imitating the workers swaying the guidance light into a photograph and attempted to convert them into an original font. The title of this exhibition “Body is not Antibody” was inspired by the artist’s experience of devoting his own body to the nation’s reconstruction project, and questions the meaning of a body and where the body belongs on a personal level.



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