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サイン入り印画紙付(ED20)“From 172800 Seconds in 1971 to 345600 Seconds in 2021” / 『1971年の172800秒から2021年の345600秒へ』

サイン入り印画紙付(ED20)“From 172800 Seconds in 1971 to 345600 Seconds in 2021” / 『1971年の172800秒から2021年の345600秒へ』
¥ 3,300 SOLD OUT
[カタログ]
仕様:B5サイズ 18.2 x 25.7 cm、48ページ、モノクロ、サイン入り印画紙付(ED20)
掲載作品:河口龍夫『1971年の172800秒から2021年の345600秒へ』展より58点
テキスト:河口龍夫、金子智太郎
撮影:藤島亮
編集:窪田研二、石水美冬、金子智太郎
デザイン:川村格夫
発行:SNOW Contemporary


河口龍夫「1971年の172800秒から2021年の345600秒へ」(2021年1月11日)より抜粋
最初の段階では、「172800 秒展」の再現を考えていた。しかし、再現可能なすべての機材を整えたとしても、1971年の172800秒という時間そのものの再現は不可能である。当時制作した絵画や 彫刻であれば2021 年に見ることが可能である。しかし、この作品の成立に不可欠なものは物質ではなく時間そのものだからである。時間は「時間の不可逆性」によって成立する。そのため展覧会の内容を1971年の「172800 秒展」から2021年の「345600秒展」とした所以である。 1971年に開催された「172800 秒展」は、あたかも「時のブーメラン」のように 50 年後の我々の手元に戻ってきた。2021 年に再度投げられた「時のブーメラン」は、矛盾するようであるが「時間の不可逆性」に逆らいながら、何処に飛んでゆくのであろうか。おそらくそこには私は存在しない。 はたして誰が受け止めるのであろうか。 封印された光景と音は、あたかも見ることが不可能な「時間の客体化」であったかのようである。 そして今再び我々は芸術における時間について、問い続けることになるのである。時間よ、止まるなとつぶやきながら。

*掲載作品に関しては下記までお問い合わせください。
http://snowcontemporary.com/contact.html

[Catalogue]
48 pages, 18.2 x 25.7 cm, b/w
89 Works by Tatsuo Kawaguchi from the “From 172800 Seconds in 1971 to 345600 Seconds in 2021” exhibition in 2021.
Essays by Tatsuo Kawaguchi and Tomotaro Kaneko (only in Japanese)
Photo by Ryo Fujishima
Edited by Kenji Kubota, Mifuyu Ishimizu, Tomotaro Kaneko
Designed by Tadao Kawamura
Published by SNOW Contemporary

Excerpt from Tatsuo Kawaguchi "From 172800 Seconds in 1971 to 345600 Seconds in 2021" (January 11th, 2021)

Initially I had planned to exactly reproduce “172800 Second Exhibition.”
However, even if I could find all the necessary devices to enact it again, it is not possible to reproduce the time itself, namely the 172800 seconds back in 1971.
If it were a piece of painting or sculpture, it would appear as it was made at that time, even in 2021. However, the indispensable component of this work is time itself, not matter.
Time arises based on the “irreversibility of time.” Therefore, I decided to change the content of this exhibition, “From 172800 Seconds in 2021 to 345600 Seconds in 2021.”
The “172800 Second Exhibition” held in 1971 has come back to our hands after 50 years just like a “boomerang of time.” I wonder towards what destination the “boomerang of time” thrown again in 2021 would be traveling in against the “irreversibility of time,” as paradoxical as that may sound. Perhaps, I might not exist in the place it will come back to one day. I wonder who would receive it.
The sealing of sights and sounds could be thought of as an “objectification of time,” which we can never see. Today, we are about to revisit the question of time in art endlessly.
As we mutter: “Time, don’t you stop.”

*for more information
http://snowcontemporary.com/artist/kawaguchi_tatsuo.html

*Please feel free to ask us about the artworks shown in the catalogue.
http://snowcontemporary.com/en/contact.html


Please do not proceed with the payment if you live outside of the EMS transportable area (https://www.post.japanpost.jp/int/ems/country/all_en.html).
Please let us know the address to be shipped and contact "snow@officekubota.com" first for the estimate of the shipment fee.

Import duties and taxes may be applied upon customs clearance into your country.
In such cases, the recipient of the item will be responsible for those fees. Please pay these costs directly to the delivery agents or the customs office upon delivery. Additionally, taxes and duties differ by country. Please contact the customs office in your country for details.
[カタログ]
仕様:B5サイズ 18.2 x 25.7 cm、48ページ、モノクロ、サイン入り印画紙付(ED20)
掲載作品:河口龍夫『1971年の172800秒から2021年の345600秒へ』展より58点
テキスト:河口龍夫、金子智太郎
撮影:藤島亮
編集:窪田研二、石水美冬、金子智太郎
デザイン:川村格夫
発行:SNOW Contemporary


河口龍夫「1971年の172800秒から2021年の345600秒へ」(2021年1月11日)より抜粋
最初の段階では、「172800 秒展」の再現を考えていた。しかし、再現可能なすべての機材を整えたとしても、1971年の172800秒という時間そのものの再現は不可能である。当時制作した絵画や 彫刻であれば2021 年に見ることが可能である。しかし、この作品の成立に不可欠なものは物質ではなく時間そのものだからである。時間は「時間の不可逆性」によって成立する。そのため展覧会の内容を1971年の「172800 秒展」から2021年の「345600秒展」とした所以である。 1971年に開催された「172800 秒展」は、あたかも「時のブーメラン」のように 50 年後の我々の手元に戻ってきた。2021 年に再度投げられた「時のブーメラン」は、矛盾するようであるが「時間の不可逆性」に逆らいながら、何処に飛んでゆくのであろうか。おそらくそこには私は存在しない。 はたして誰が受け止めるのであろうか。 封印された光景と音は、あたかも見ることが不可能な「時間の客体化」であったかのようである。 そして今再び我々は芸術における時間について、問い続けることになるのである。時間よ、止まるなとつぶやきながら。

*掲載作品に関しては下記までお問い合わせください。
http://snowcontemporary.com/contact.html

[Catalogue]
48 pages, 18.2 x 25.7 cm, b/w
89 Works by Tatsuo Kawaguchi from the “From 172800 Seconds in 1971 to 345600 Seconds in 2021” exhibition in 2021.
Essays by Tatsuo Kawaguchi and Tomotaro Kaneko (only in Japanese)
Photo by Ryo Fujishima
Edited by Kenji Kubota, Mifuyu Ishimizu, Tomotaro Kaneko
Designed by Tadao Kawamura
Published by SNOW Contemporary

Excerpt from Tatsuo Kawaguchi "From 172800 Seconds in 1971 to 345600 Seconds in 2021" (January 11th, 2021)

Initially I had planned to exactly reproduce “172800 Second Exhibition.”
However, even if I could find all the necessary devices to enact it again, it is not possible to reproduce the time itself, namely the 172800 seconds back in 1971.
If it were a piece of painting or sculpture, it would appear as it was made at that time, even in 2021. However, the indispensable component of this work is time itself, not matter.
Time arises based on the “irreversibility of time.” Therefore, I decided to change the content of this exhibition, “From 172800 Seconds in 2021 to 345600 Seconds in 2021.”
The “172800 Second Exhibition” held in 1971 has come back to our hands after 50 years just like a “boomerang of time.” I wonder towards what destination the “boomerang of time” thrown again in 2021 would be traveling in against the “irreversibility of time,” as paradoxical as that may sound. Perhaps, I might not exist in the place it will come back to one day. I wonder who would receive it.
The sealing of sights and sounds could be thought of as an “objectification of time,” which we can never see. Today, we are about to revisit the question of time in art endlessly.
As we mutter: “Time, don’t you stop.”

*for more information
http://snowcontemporary.com/artist/kawaguchi_tatsuo.html

*Please feel free to ask us about the artworks shown in the catalogue.
http://snowcontemporary.com/en/contact.html


Please do not proceed with the payment if you live outside of the EMS transportable area (https://www.post.japanpost.jp/int/ems/country/all_en.html).
Please let us know the address to be shipped and contact "snow@officekubota.com" first for the estimate of the shipment fee.

Import duties and taxes may be applied upon customs clearance into your country.
In such cases, the recipient of the item will be responsible for those fees. Please pay these costs directly to the delivery agents or the customs office upon delivery. Additionally, taxes and duties differ by country. Please contact the customs office in your country for details.

*Tax included.

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[カタログ]
仕様:B5サイズ 18.2 x 25.7 cm、48ページ、モノクロ、サイン入り印画紙付(ED20)
掲載作品:河口龍夫『1971年の172800秒から2021年の345600秒へ』展より58点
テキスト:河口龍夫、金子智太郎
撮影:藤島亮
編集:窪田研二、石水美冬、金子智太郎
デザイン:川村格夫
発行:SNOW Contemporary


河口龍夫「1971年の172800秒から2021年の345600秒へ」(2021年1月11日)より抜粋
最初の段階では、「172800 秒展」の再現を考えていた。しかし、再現可能なすべての機材を整えたとしても、1971年の172800秒という時間そのものの再現は不可能である。当時制作した絵画や 彫刻であれば2021 年に見ることが可能である。しかし、この作品の成立に不可欠なものは物質ではなく時間そのものだからである。時間は「時間の不可逆性」によって成立する。そのため展覧会の内容を1971年の「172800 秒展」から2021年の「345600秒展」とした所以である。 1971年に開催された「172800 秒展」は、あたかも「時のブーメラン」のように 50 年後の我々の手元に戻ってきた。2021 年に再度投げられた「時のブーメラン」は、矛盾するようであるが「時間の不可逆性」に逆らいながら、何処に飛んでゆくのであろうか。おそらくそこには私は存在しない。 はたして誰が受け止めるのであろうか。 封印された光景と音は、あたかも見ることが不可能な「時間の客体化」であったかのようである。 そして今再び我々は芸術における時間について、問い続けることになるのである。時間よ、止まるなとつぶやきながら。

*掲載作品に関しては下記までお問い合わせください。
http://snowcontemporary.com/contact.html

[Catalogue]
48 pages, 18.2 x 25.7 cm, b/w
89 Works by Tatsuo Kawaguchi from the “From 172800 Seconds in 1971 to 345600 Seconds in 2021” exhibition in 2021.
Essays by Tatsuo Kawaguchi and Tomotaro Kaneko (only in Japanese)
Photo by Ryo Fujishima
Edited by Kenji Kubota, Mifuyu Ishimizu, Tomotaro Kaneko
Designed by Tadao Kawamura
Published by SNOW Contemporary

Excerpt from Tatsuo Kawaguchi "From 172800 Seconds in 1971 to 345600 Seconds in 2021" (January 11th, 2021)

Initially I had planned to exactly reproduce “172800 Second Exhibition.”
However, even if I could find all the necessary devices to enact it again, it is not possible to reproduce the time itself, namely the 172800 seconds back in 1971.
If it were a piece of painting or sculpture, it would appear as it was made at that time, even in 2021. However, the indispensable component of this work is time itself, not matter.
Time arises based on the “irreversibility of time.” Therefore, I decided to change the content of this exhibition, “From 172800 Seconds in 2021 to 345600 Seconds in 2021.”
The “172800 Second Exhibition” held in 1971 has come back to our hands after 50 years just like a “boomerang of time.” I wonder towards what destination the “boomerang of time” thrown again in 2021 would be traveling in against the “irreversibility of time,” as paradoxical as that may sound. Perhaps, I might not exist in the place it will come back to one day. I wonder who would receive it.
The sealing of sights and sounds could be thought of as an “objectification of time,” which we can never see. Today, we are about to revisit the question of time in art endlessly.
As we mutter: “Time, don’t you stop.”

*for more information
http://snowcontemporary.com/artist/kawaguchi_tatsuo.html

*Please feel free to ask us about the artworks shown in the catalogue.
http://snowcontemporary.com/en/contact.html


Please do not proceed with the payment if you live outside of the EMS transportable area (https://www.post.japanpost.jp/int/ems/country/all_en.html).
Please let us know the address to be shipped and contact "snow@officekubota.com" first for the estimate of the shipment fee.

Import duties and taxes may be applied upon customs clearance into your country.
In such cases, the recipient of the item will be responsible for those fees. Please pay these costs directly to the delivery agents or the customs office upon delivery. Additionally, taxes and duties differ by country. Please contact the customs office in your country for details.
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